Battleship and Moneyball Star Mr. Stephen Bishop New Interview at Hollywood. With Host Jett Dunlap

Photos by Andrew Winings, Produced by Gina Greschner Filmed by Chris Coy

New preview Battleship of the movie

Yosemite Tour with TV’s Adventure Correspondent Jett Dunlap. From Hollywood to Yosemite with Jett

Is it a green-screen or is it the real thing?

You make the call!!

Jett calls out his new Arch-nemesis  Huell Howser!

Gina Greschner on Camera

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The 2012 NAB Show kicked off it’s four-day event in Las Vegas, NV, on Monday, April 16th with a keynote speech by Gordon Smith, NAB President and CEO.  Mr. Smith’s State of the Industry address was to set the tone of the entire convention, the theme of which being “The Great Content Shift,” referring to the mobile technology phenomenon that has forced content creators to reevaluate how they create, distribute, and market original entertainment.

I went to NAB excited to find out how industry big-wigs were planning to adapt with the unstoppable changes that are occurring in how we as a society consume entertainment.  So it was a surprise to me when I realized that the powers-that-be in the broadcast industry don’t see the need to change their business model very much, if at all.  When the rest of us see a tidal wave of change on the horizon, the Networks see it as a small splash against the iron hull of their aircraft-carrier-sized business model, which has worked very well for over 60 years.

In his keynote speech, Gordon Smith pointedly admitted, “We need to be realistically engaged in the issues confronting us,” referring to the mobile technology frontier.  “On the TV side,” he added, “we need to be aggressively pushing mobile and ultra HD.”

So what does mobile mean to the Networks?  Does it mean that the mobile revolution is forcing the Networks to rethink how and where they deliver original programming?  Well… not so much.  Although today’s consumers want their entertainment at their fingertips whenever and wherever they want, the truth is that the tradition model for broadcast TV (simultaneous mass viewership) is still the most reliable, accessible distribution platform for top-quality programming.  Why would the people at the top of this food chain want to do anything different?  Mobile, therefore, is simply seen as an additional distribution point to add to their post-broadcast ancillary markets.  Smith summed this up by saying, “delivering live, local and national news, sports and our great shows to viewers on the go — this is where our business is going.”

The broadcast industry has no incentive to embrace what developments may be around the corner in the mobile content future.  While independent producers and private technology companies are busy thinking outside the box to develop new business models for original entertainment distribution in this multi-platform reality, broadcasters are thinking inside their own box… their very old fashioned box that categorizes “mobile” as simply a new term for an old idea.  “I have always heard broadcasting described as ubiquitous,” Smith said. “But ubiquity yesterday meant a radio being on the dashboard, in the kitchen and on the nightstand.  Ubiquity meant a television in every living room — these days, almost every room in the house.  But ubiquity tomorrow must mean broadcasting’s availability to all people at all times in all places and on all devices.”

A nice sentiment.  And a necessary one, to be sure.  But I think that the revolution that is happening right now in mobile entertainment is far more fundamentally disruptive than the TV industry is willing to admit.  I think the shift is happening: consumers are moving away from the idea that the television and movie screens are the primary destinations of the entertainment they consume, and shifting to the idea that the “first screen” is the one in the palm of their hand.  Our whole world revolves around our social networks, status updates, news feeds, text messages, and sharing our lives with our friends on an almost minute-by-minute basis.  That is where we want our entertainment to be, as well.  The person or company that figures out how to efficiently and profitably create a system of entertainment for that reality, will be the winner, for that is where the tide is moving.  And there are plenty of innovative companies out there racing to figure out the best business model to meet the needs of this evolving new marketplace.

Yet, the Networks dismiss these efforts as a futile waste of time, maintaining their supremacy as the tried and true standard.  I couldn’t help but detect a tone of condescension from Gordon Smith as he touched on this topic in his keynote speech.  He said, “The wireless industry wants to replicate what we do.  In fact, they are developing their own mobile TV network… but they say they need more spectrum.  And they could get what they want… pending approval from the government.  So let me get this straight.  Wireless carriers want to roll out a mobile TV service, just like ours.  And they are asking the government for more of our spectrum to do it.  And their service, most assuredly, would not be free.  It seems to me that the government could be in the position of picking the wireless industry as the winner and the consumer as the loser.  Here’s the problem: even with all the spectrum in the universe, the wireless industry’s ‘one-to-one’ architecture could never match our ability to broadcast voice and video to the masses.”

I feel like I’m watching the first contact with a species of giant aliens: You feeble creatures… you are no match for our superior technology.  Resistance is futile!

Regardless of how Gordon Smith views the situation, he is right about one thing: the Networks have the advantage of nearly 80 years of technological development in the broadcast industry, and they have developed a VERY efficient system for distributing high-quality content.  They still rule that realm.  And although they do not see the mobile shift as a threat to their well-established system, they are at least aware that something is happening… and it can’t be ignored.

Broadcasters know that they will need to adapt to an ever-changing landscape.  “Our greatest challenge is to have the courage to challenge ourselves,” Smith declared in his closing remarks, “challenging our existing business models, looking around the corner and adapting to a media marketplace where only the technologically nimble will survive.”

The question is, once technology catches up with the demand of consumers, how much will broadcasters really be willing to adapt?  Will they shift with the paradigm, or will they be left behind as they stubbornly clutch to their own legacy of supremacy?

I have a feeling we will find out soon enough.

By Chris Coy

Staff writer for JD247

Exclusive Hollywood Interview with Honey Heart The Band Jessica Hoggarth & Nina Kurtz at Indie Thursday Hollywood

He has Abs like Adam Levine and Jokes like Will Ferrell,, oh yeah I am talking about Jett Dunlap! (enjoy our newest Outtakes)

Or was it Abs like Will Ferrell and Jokes like Adam Levine… Whatever just press play and Enjoy

Photos by Andrew Winings, Produced by Gina Greschner Filmed by Chris Coy

Jett Dunlap speaks out about the truth on the Mexican Groundhog & how Cinco De Mayo relay got started. Find out some great fun facts about Kangaroos, and many more LOL moments.
Jett combines the looks of Adam Levine and the humor of Will Ferrell!
95% more smash cuts and jump cuts.
Hollywood CA
May 2012
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Exclusive interview with Actor Seth Remis on up coming film Asarum. With host Jett Dunlap

Find out what actor Seth Remis has done to break in to Hollywood, what he is doing to continue his rapid climb to the top and tips you can use to help your career.

Produced by Gina Greschner, Still Photos by Andrew WInings Filmed by Chris Coy

Exclusive interview with Actor Seth Remis on up coming film Asarum. With host Jett Dunlap
Asarum the Film link
http://www.facebook.com/pages/Asarum-Fan-Page/354636027904813

Seth Remis Facebook fan page
http://www.facebook.com/SethRemisOfficial

Seth Remis IMDb
http://www.imdb.com/name/nm4547777/

Jett Dunlap Facebook
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Interview with Ted Schilowitz at the Red booth at NAB Show 2012 Las Vegas

See our exclusive interview with with Ted Schilowitz, he was the first guy to ever be hired by RED Digital. Find out about Red Epic M, RED One, and what the RED Scarlet is all about. How does Panavision fit in?
ALL NEW at the NABShow Las Vegas 2012
Find out about Red Digital 4K, 6K and 8K. Red VS. c33 Red vs. c500, red VS Alexa Red VS Arri
Jett Dunlap interviews Ted Schilowitz from RED at the NABshow 2012 . Canon, Arri, Red, Sony, Alexa. Super Hot Camera-Porn!! Host Jett Dunlap

Shot & Cut by Chris Coy

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First Look at Canon 5D Mark 3 – C300 – C500, Red Epic M, Arri -Alexa and Much More from NAB 2012!!!! See the cameras used in The Avengers!

Only with Jett Dunlap, only on JD247!

Canon c300 and Canon 5D Mark 2 were used in the filming of The Avengers

Photos by Andrew Winings, Produced by Gina Greschner Filmed by Chris Coy

Plus the unique Camera styling of Dr. Chris Coy

NAB HD Sizzle shot on NEW Canon 7D DSLR Camera in Las Vegas NV.

DAY TWO!!!!!!!!

LIVE!! FROM THE PRESS ROOM AT NAB!!!!!!!

What is NAB?

where content comes to life

From Broadcasting to Broader-casting®, the NAB Show® has evolved over the last eight decades to continually lead this ever-changing industry. While the solutions at your fingertips have changed to keep pace with consumer habits and technologies, your aspirations to produce and deliver memorable content have remained constant. From creation to consumption, the NAB Show has proudly served as the incubator for excellence – helping to breathe life into content everywhere.

NAB Show Facts

• 90,000+ media and entertainment professionals from over 150 countries
• Over $18.8 billion in purchasing power represented onsite*
• 1,500+ companies spread over 745,000 net square feet
• More than 500 skill-building sessions
• 1,300+ members of the press
• 85+ years of industry leadership

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WITH HOST JETT DUNLAP

If you are like me you, than you saw the new preview for Safe House and were wondering what the the song was at the end.

Well you have to guess no more here it is

The song is from Artist: Jay-Z, Kanye West, Frank Ocean

Safe House

Writer:

Stars:

This is the preview for safe house

Here is a video of our show.. because we can!!!!!!!